El montaje cinematográfico

Synopsis of El montaje cinematográfico

This book by Vicente Sánchez-Biosca explores film editing not only as a technical phase but as an essential aesthetic principle of cinema. Through a didactic and investigative approach, it analyzes various aspects of film language, from the plastic composition of the image to the laws of classical continuity and the principles of intellectual editing. In addition, it examines the main theoretical schools of editing, from the vanguards of the 1910s to current aesthetic and semiotic trends, with special attention to the formulations of Kuleshov, Dulac, Pudovkin, and Eisenstein. The book offers a rigorous guide for the textual analysis of films, with practical examples that facilitate the understanding and application of theoretical concepts.