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Raymond Bellour
AuthorBooks · Second handSince 1939
Raymond Bellour is a French scholar, and writer. Best known to Anglophone readers for his publications on film analysis, his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art. He is currently Director of Research, Emeritus, at the CNRS, the Centre national de la recherche scientifique, which he entered in 1964. In the course of his career he has taught at the Université de Paris I, at IDHEC, the Université de Paris III, the Centre américain d'études cinématographiques, later renamed the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer. In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou. He helped found the journal Trafic in 1991, with Serge Daney, and Jean-Claude Biette,
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About Raymond Bellour
Birth
1939
Raymond Bellour is a French scholar, and writer. Best known to Anglophone readers for his publications on film analysis, his work is dispersed across a wide range of articles and books, few of which are available in English, in which he addresses a broad spectrum of topics in the areas of cinema, literature and moving-image art. He is currently Director of Research, Emeritus, at the CNRS, the Centre national de la recherche scientifique, which he entered in 1964. In the course of his career he has taught at the Université de Paris I, at IDHEC, the Université de Paris III, the Centre américain d'études cinématographiques, later renamed the Centre parisien d'études critiques, and in a range of international institutions as a guest lecturer. In 1990 with Christine Van Assche and Catherine David he co-curated the Passages de l'image exhibition at the Centre Georges Pompidou. He helped found the journal Trafic in 1991, with Serge Daney, and Jean-Claude Biette,
Raymond Bellour is a fundamental figure in contemporary French film criticism.
Born in Lyon in 1939, he has dedicated his life to the deep analysis of the seventh art.
His prolific career includes the authorship of fifty published works.
In addition to his work as a writer, he has served as a university professor sharing his knowledge.
His interests range from film history to the work of figures such as Henri Michaux.
