by Gilles Deleuze · University of Minnesota Press · tapa blanda · ISBN 9780816614004
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«Cinema 1: Movement-Image» is Gilles Deleuze's philosophical essay, published by University of Minnesota Press in paperback.
Gilles Deleuze examines the cinematic image as an object of philosophical reflection and studies its theoretical implications based on Henri Bergson's theses. The essay proposes that movies not only represent movement, but also make it possible to think and create concepts, integrating philosophy and movie theory.
Originally published in 1986. English translation by Hugh Tomlinson and Barbara Habberjam; first edition.
For students and academics in philosophy and movie theory who want to approach the thought on the moving image.
Gilles Louis René Deleuze was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered to be his magnum opus.
