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by Davide Carnevali, Narcís Comadira, Lluïsa Cunillé i Salgado, Δημήτρης Δημητριάδης, Najat El Hachmi, Gregorio Luri, Marta Marín-Dòmine, Cristina Morales, Valère Novarina, Perejaume · Arola Editors · tapa blanda · 144 pages
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Han pasado cincuenta años desde que Pier Paolo Pasolini rodó Il Decameron, una película inspirada en la novela de Boccaccio y sus cuentos mayormente eróticos que, a lo largo de diez jornadas, son narrados por diez jóvenes retirados al campo para esquivar la peste bubónica que asolaba Florencia. La obra maestra del florentino reunía desde cuentos de la antigüedad clásica hasta fabliaux populares medievales, y con su sensibilidad humanista se erigía en puente entre la edad media y la modernidad europea. En su film de 1970, en cambio, Pasolini convirtió la vida napolitana en la verdadera protagonista de la película, con el afán de retratar una de las pocas realidades sociológicas que aún se resistían a ser absorbidas por la nueva cultura consumista global.
Narcís Comadira i Moragriega is a Spanish poet, painter, playwright, translator, journalist and literary critic. His poetry is rather classical in nature, with a contemplative theme and a certain ironic point of view. As a painter, he understands his work as an extension of poetry. His first works show references to surrealism and pop culture, as well as his master Domènec Fita. In the late 70's he left the figurative painting to begin to represent nature and architecture, specializing in a very personal landscape and marked by realism, which in his latest work is leading to a synthesis of it, where fewer and fewer elements appear in his works.
