
by Emmanuel Guigon, Luis Buñuel · Museo de Teruel · Tapa blanda · ISBN 9788487183287

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«Los paréntesis de la mirada: un homenaje a Luis Buñuel» is the catalog of the eponymous exhibition, with texts by Emmanuel Guigon and other authors, published by the Museo de Teruel.
The catalog documents the exhibition analyzing Luis Buñuel's influence on surrealism and twentieth-century Spanish art. It includes studies by Guigon and other specialists on the filmmaker's gaze, his relationship with the historical avant-gardes and his legacy in contemporary visual culture.
The show was held at the Museo de Teruel from October 29 to November 28, 1993. The catalog, coordinated by Ana Isabel Herce and sponsored by the Government of Aragon, is a paperback edition of 139 pages and includes a bibliography.
For those interested in Luis Buñuel, surrealism and twentieth-century Spanish art, with a documentary and academic approach.

Emmanuel Guigon, born March 15, 1959, in Morteau, is a museologist, holds a doctorate in art history and is the current director of the Museu Picasso in Barcelona. He holds dual French-Swiss nationality. Guigon earned his doctorate in contemporary art at the Paris-Sorbonne University (France), and is a specialist in historical avant-gardes, surrealism, modern Spanish art and European post-war art. Before becoming the director of the Picasso Museum Barcelona, he was deputy director of museums in Besançon. Prior to that, he was director and head curator at the Strasbourg Museum of Modern and Contemporary Art (France) and head curator at the Valencia Institute of Modern Art (IVAM). He was a member of the Science Section at the École Pratique des Hautes Études Hispaniques Casa de Velázquez in Madrid, having previously lectured in contemporary art history at the Université de Franche-Comté (UFR) between 1985 and 1987. He is an associate member of numerous organisations, including the Training and Research Unit (UFR) of Iberian and Latin-American Studies at the Panthéon-Sorbonne University; the André Chastel Centre, Laboratoire de Recherche en Histoire de l’Art; AICA France ; the Technical Committee of the Fonds Régional d’Art Contemporain (FRAC) Alsace; and the Board of Directors of the Société des Amis de Paul Éluard. He was named Knight in the Order of Academic Palms and Knight in the Order of Arts and Letters by the Ministry of Culture of the French government.
